PALAVRAS-CRUZADAS

DEUS, PÁTRIA, FAMÍLIA E TRAFULHICE "Não são só os casos que semanalmente se conhecem dos dirigentes do Chega. Os bastidores do partido, agora trazidos à luz do dia pelo livro “Por dentro do Chega”, revelam práticas nada coerentes com o discurso de André Ventura e muitos parágrafos para a justiça ler com atenção. O livro do multipremiado jornalista Miguel Carvalho, editado pela Objectiva, chegou às bancas este mês e resume em 751 páginas o conteúdo de milhares de documentos e entrevistas com atuais e ex-dirigentes. Alguns contam tudo. Delfim Machado, Notícias Magazine, 21/09/2025 Dos financiamentos escondidos às gravações telefónicas secretas para entalar rivais internos, esta investigação mostra como André Ventura patrocinou exércitos de perfis falsos e purgas internas para criar um Chega unipessoal que sustenta as ambições desmedidas, as vidas abastadas e as madrugadas de copos dos seus mais reputados dirigentes. Pelo meio há guerras religiosas, filiações de imigrantes brasileir...

Fellow Senators, friends, colleagues, allies, adversaries. I stand before you this morning with a heavy heart. I’ve spent my life in this chamber. I came here as a child. And as I look around now, I realize I have almost no memories that pre-date my arrival and few bonds of affection that cleave so tightly. Through these many years, I believe I have served my constituents honorably and upheld our code of conduct. This chamber is a cauldron of opinions and we’ve certainly all had our patience and tempers tested in pursuit of our ideals. Disagree as we might, I am hopeful that those of you who know me will vouch for my credibility in the days to come. I stand this morning with a difficult message. I believe we are in crisis. The distance between what is said and what is known to be true has become an abyss. Of all the things at risk, the loss of an objective reality is perhaps the most dangerous. The death of truth is the ultimate victory of evil. When truth leaves us, when we let it sli...

  Goebbels Ends Careers of Five 'Aryan' Actors Who Made Witticisms About the Nazi Regime Feb. 4, 193 BERLIN, Feb. 3.—Propaganda Minister Joseph Goebbels today ended the professional careers of five "Aryan" actors and cabaret announcers by expelling them from the Reich's Chamber of Culture on the grounds that “in their public appearances they displayed a lack of any positive attitude toward National Socialism and therewith caused grave annoyance in public and especially to party comrades.” The five include perhaps the best known German stage comedians who survived previous Chamber of Culture purges and still dared to indulge in political witticisms—namely, Werner Finck, Peter Sachse and “The Three Rulands,” represented by Helmuth Buth, Wilhelm Meissner and Manfred Dlugi. Their expulsion means that they are henceforth forbidden to appear before the public in Germany. Besides motivating this action in an official communiqué, Dr. Goebbels also publishes a long articl...

(É uma publicação que circula desde 2020. A partilha e comentário assinalado são de hoje.) "In one of the most powerful displays of love, grief, and healing ever captured, this photo shows two parents holding stethoscopes to a man’s chest — not to check his heartbeat, but to hear their late son’s heart beating once more. Their 23-year-old son passed away unexpectedly. In the depths of their pain, they made the decision to donate his organs — a gift that saved multiple lives. One of the recipients was this man, who had been in critical need of a heart transplant. Thanks to their son’s selfless legacy, he was given a second chance at life. Years later, the families arranged to meet. In an emotional reunion, the grieving parents were given the opportunity to do something extraordinary — to physically hear the heartbeat of the son they lost, now keeping another person alive. As they pressed the stethoscopes to his chest, they both broke down. For them, it wasn’t just a sound — it was ...

I met a traveller from an antique land Who said: ― Two vast and trunkless legs of stone Stand in the desert. Near them on the sand, Half sunk, a shatter’d visage lies, whose frown And wrinkled lip and sneer of cold command Tell that its sculptor well those passions read Which yet survive, stamp’d on these lifeless things, The hand that mock’d them and the heart that fed. And on the pedestal these words appear: “My name is Ozymandias, king of kings: Look on my works, ye mighty, and despair!” Nothing beside remains: round the decay Of that colossal wreck, boundless and bare, The lone and level sands stretch far away.

  Elevador da Glória e o Político inglório. 16 mortos, dezenas de feridos, o Elevador da Glória transformado em cenário de tragédia. Muitos quiseram logo resumir tudo a uma “falha técnica” ou a um “acidente inesperado”. Muitos quiseram desde o primeiro minuto silenciar qualquer responsabilização. Muitos usaram os corpos dos mortos como escudo de qualquer crítica. Mas os acidentes como este nunca caem do céu: resultam de decisões políticas, de orçamentos cortados, de contratos mal fiscalizados, de redundâncias inexistentes e de alertas ignorados. Neste trabalho complexo de investigação segui essa linha até ao fim — e ela desemboca inevitavelmente no gabinete de Carlos Moedas, presidente da Câmara Municipal de Lisboa e accionista único da Carris. A Carris não é “apenas uma empresa”. É um braço da Câmara de Lisboa: tem forma de S.A., mas o accionista único é o Município. É a Câmara que escolhe a administração, aprova planos e orçamentos, define orientações e pode mandar fazer auditori...